 The Heart of Family is an emotional story where guilt, forgiveness and the power of love will make you cry and laugh as two middle-aged sisters tackle life's obstacles with grit and determination.  Why did you decide to self-publish? Did you have any doubts? I stared self-publishing in 2014. Yes, I had doubts but wanted to try something new. I also felt that the long haul to go the traditional route, which can often only pick books based on trend, wouldn’t work for me. I was writing nitty gritty young adult novels at the time and new I’d probably try another genre later on, and that’s exactly what I did. In the last few years I’ve been working on writing women’s fiction and if I had gone traditional that would have limited my voice. What did you like best? I actually liked the control over the entire project. I liked learning the new genres I was writing, learning the marketing aspect and controlling the end product – from story, cover to distribution. What was the hardest part? Learning all the tech stuff – not simply the uploading to Amazon, but how to format your book from e-book to print, how to do the marketing, and juggle all that with writing. Time management is key and I was dealing with a lot of family issues, like becoming the primary caregiver for my mother and that fine balance for writing, being creative and getting the book to the right audience was stretched thin. To be honest, it’s still stretched. Would you do it again? I’m still doing it - so yes. I feel like publishing, especially with all the AI stuff taking place is going to change again and fast. Authors didn’t need to have social media channels a decade ago and now publishers and agents won’t even look at you until you have dedicated followers. You spend so much time building that audience why should you give that away to a third party? Publishing is going to always change so I think it’s good to be involved and be aware of what’s taking place in the industry. What advice do you have for authors just starting? Join a writing group, local or online and be aware of what’s taking place on the tech side of things when it comes to publishing. Renee is an award-winning Canadian author who writes a variety of genres. The Heart of Family is her first women's fiction novel. Renee started writing this novel as she also began the journey of being a caregiver for her mother who suffers with dementia. Writing was her way to escape.
Renee also writes romance for HQN Spice Briefs and sensual paranormal romance, and new adult novels. Her first romance novel, Rapture, in 2008 received an EPPIE Award for Best Paranormal/Fantasy Romance for an e-book. Renee loves to hear from fans. She can be reached by email at reneefieldauthor@gmail.com. For more information on her writing check out her website at https://www.reneefield.com/
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  Why did you decide to self-publish? Did you have any doubts? I decided to self-publish after I had the experience of publishing with my literary agency after they couldn’t find a publisher to take my book. They had a new program where they were publishing all the books they couldn’t sell. Throughout the process, I could see that I could do the same thing without having to give them any royalties, so for my next book, I did it myself, and I’ve been doing it myself ever since. I love the gratification of choosing elements, like my cover artist and graphic design, on my own. What did you like best? Being able to choose the cover that I liked best. What was the hardest part? Marketing! It’s really hard to get people to take a chance on a completely unknown author. And many traditionally published authors, no matter how I approached them, would not grant me a blurb. Would you do it again? Yes, in fact, I’ve done it eight times already! What advice do you have for authors just starting? Patience is key. Knowing you will get better is key. Asking for help is okay. Have fun with it whenever you can. Perfect All The Time Longtime friends Elyse and Janet are in awe of their focused and accomplished children. Maddie is Ive League-bound and Chip, a superb athlete, is headed to play football for a top-tier school in the South. On the cusp of their adult lives, what comes next are not just college acceptance letters, but two pink lines. Judy Mollen Walters is the author of nine self-published novels with a tenth slated for later this year. She writes about strong women trying to conquer difficult problems, either personally or within their families. Her latest novel, Perfect All the Time, features two best friends whose teenage children, also best friends, create a pregnancy.
The freedom to craft my storyline and address controversial issues - Meet Ruth Thompson, Author3/9/2023  Armed with a firm belief in alternative health, faith that she is responding to her calling in life, and the encouragement of a few supportive people, Georgina strives to balance family and career while becoming the healer of her childhood dreams. A Heart for Healing  Why did you decide to self-publish? Did you have any doubts? I have no doubts about self-publishing because I didn’t want to wait for a traditional publisher to accept my manuscript. I’ve heard it can take years and a lot of rejections and I wanted to get my story out. The higher rate of royalties from self-publishing was another perk. In 2015, I self-published a non-fiction book on health and nutrition (You Can Be Well), so I had some experience with the process. I needed help with formatting the book for uploading to Ingram and Amazon. My husband’s computer/internet savvy came in handy. For my 2022 novel, A Heart for Healing, I went with a self-publishing company that helped with formatting, book cover design, distribution, and a promotion plan. Their editor came up with a good book title, too. There was a support person to guide me in finishing the manuscript in a timely manner—1 ½ years. I couldn’t put off writing, editing, and proofreading because there was an expiry date on the contract. Having an end date prevented me from dragging out the process, otherwise I might still be writing and editing today! What did you like best? I enjoy the freedom to craft my storyline. Some of my readers like the story because it’s unique. A traditional publisher might have wanted changes to my story because I address some controversial issues in mainstream medicine and holistic health. What was the hardest part? The hardest part with self-publishing is doing my own marketing – deciding on strategies and acting on them. For my first book (You Can Be Well) my promotion was entirely local – speaking at events, stocking the book where my intended readers would go. And I knew little about online promotion at that time. The book has sold online, and continues to sell in limited numbers, but with minimal promotion on my part. For my novel, A Heart for Healing, I learned about many marketing strategies from the self-publishing company but find it unclear which ones to choose—social media, podcasts, local events – they all work but so much depends on individual goals and the book’s genre. My promotion plan was to start locally by attending events and book fairs. I am still learning the art of social media promotion to a wider audience. After going through my friends, family and acquaintances, sales are slow. But I know it can take a while to get the word out. Would you do it again? Yes, I am currently working on a sequel to my first novel. I will self-publish again but without hiring a self-publishing company, because of the expense and because I believe I have learned enough to publish on my own. Also, when using a self-publishing company, the book is not eligible for KDP special pricing and giveaways. That promotion method has not been available to me. What advice do you have for authors just starting? First, find writing coach(es). There are online coaching communities with tutorials and workshops on all the aspects of writing, including the promotion. Unfortunately, I found Women Fiction Writers after I completed my novel. The community I joined was for-profit with a $250 annual fee. The training was valuable especially because I was new to creative writing, but there are less expensive options such as Women Fiction Writers to which I now belong. Second, find a writing buddy. I have a weekly video call with a woman I met in a writing community. We encourage each other in our projects, share ideas, review each other’s work. There is also accountability to keep going. Third, find a local author’s group for support and shared learning about the local market. Through this group, I have learned of local events to promote my book. We share in the cost of renting a venue or a table and serve as advance readers and reviewers for each other’s work. Fourth, I subscribe to Julia Cameron’s Morning Pages exercise. This daily habit triggers ideas and inspiration. It really works as she says. Writing is a learning process. Anything you can do to keep learning will help. Ruth Thompson has been in private practice as a holistic nutritionist since 2004 and, prior to that, worked in social work and community development for twenty-five years. She is also the author of You Can Be Well: The Holistic Nutrition Guide to a Healthy, Balanced Life, self-published in 2015.
Thompson lives in Cambridge, Ontario, Canada with her husband Derek of thirty-nine years, and their five-year-old doodle, Kermit. She has two adult children, a stepson, and five grandchildren.  Reinventing Rita - a Midlife Moxie Novel Is fifty too old to start over and reinvent yourself? That’s what Rita has to decide, and with the help of two friends—Donna, her employer, and Karen, her ex-husband’s second wife—she’s about to find out as she pursues a long-ago dream.  Why did you decide to self-publish? Did you have any doubts? I had already self-published two nonfiction books--Rut-Busting Book For Writers and Rut-Busting Book For Authors—so the idea wasn’t totally new to me. (I also have three books—two short story collections and one motivational book traditionally published.) Initially I wanted to go the traditional route, especially since I was moving into writing novels. But I’m not a patient person (!) and the time it took to 1) find an agent, 2) wait for a response, and 3) assuming the agent wanted to rep me, wait even longer for an acceptance or rejection from a publisher, and then even longer to get on the publishing schedule soon dissuaded me. Also many successful authors had moved from trad publishing to self-publishing, so I made up my mind that I’d go that route as well. Besides, I’ve been self-employed nearly my entire adult life. This is just another way to be my own boss! What did you like best? I think it was the ability to set a timeline for publication. My debut novel, Reinventing Rita, is the first in my Midlife Moxie series, and my plan is to release one novel per year. By self-pubbing, I could control those release dates and plan ahead. (I can be a bit of a control freak…) What was the hardest part? Finding the right company to handle the backend: the formatting, cover design, fulfillment, etc. I didn’t want to do any of that. I figured I had my hands full writing the books and marketing/promoting them! I did a lot of research, looking at what the self-publishing services companies offered, their rates, and examples of covers they had done and BookBaby won hands-down. It didn’t hurt that a few authors I knew who had used them sung their praises, too! Would you do it again? Absolutely, and I am currently in the editing stage for the next one (due out June 2024) and the writing phase for the one due out in June 2025. What advice do you have for authors just starting? Use beta readers to get a sense if your story even hangs together well and is interesting. Then use at least one professional editor to review the manuscript. You may think it’s ready to go but trust me, it probably isn’t. I had two editors, and both were invaluable when it came to spotting issues with plot and character development, as well as those niggling grammar and punctuation errors. Nancy Christie has been making up stories since she learned how to write, and she plans to continue as long as her fingers can work the keyboard. Reinventing Rita is her sixth book and first novel. Nancy is the host of the Living the Writing Life podcast and founder of the annual "Celebrate Short Fiction" Day. She's a member of the American Society of Journalists and Authors, Women's Fiction Writers Association, and the Florida Writers Association. For more about Nancy and links to her social media profiles, visit her website at www.nancychristie.com.
I never would have had the same chance to grow as a writer - Meet Christina Edgar Olds, novelist3/5/2023  Giving Up Grace Dr. Cassidy Garrett has spent nearly two decades creating a perfect life for herself, but an unexpected visit home reveals secrets from the past that force Cassie to reconcile the girl she used to be with the woman she’s become.  Why did you decide to self-publish? Did you have any doubts? I decided to self-publish when I felt my opportunities to secure a literary agent and traditional publishing contract for my first book - Giving Up Grace - had been exhausted. I decided that taking control of my author career at that time would be the best way to prove myself and possibly open up doors to traditional publishing for subsequent books. Of course I had doubts, because I’d never done anything like that, and I knew to produce a quality book with only my own skills to draw from would be a challenge. What did you like best? Having complete creative control over the project was what I liked best. I learned so much, and I believe that I never would have had the chance to grow as a writer in the same way had I been given a traditional publishing deal for my first book. What was the hardest part? Editing and marketing are the areas where I struggled as an indie author. Knowing how to promote my book beyond those first few months of sales has been difficult. Would you do it again? I would absolutely do it again, and I will if I’m not able to land an agent in the next few months for my next book. I’m already working on a third novel, and I wouldn’t hesitate to self-publish again. I know that it would be much easier now that I know some of the secrets to getting the book ready to launch and how to format different platforms for publication. What advice do you have for authors just starting? I think it’s important to know what your goals are for being an author. If you want to quit your day job and make tons of money from writing, you need to get some guidance and consider what that might look like. If you want to write as an enjoyable and rewarding way to spend your time, then go for it! It’s been one of the most exciting things I’ve ever done, but it isn’t a lucrative endeavor unless you get really lucky. Christina Edgar Olds has been writing contemporary women’s fiction for more than ten years and self-published her debut novel, Giving Up Grace, in 2022.
She holds a B.A. in Communication and has taken a novel writing course under Leslie Schwartz as part of The University of Iowa Endless Summer Writing Festival. She is also a member of the Women’s Fiction Writers Association. After leaving her day job, Christina now enjoys the opportunity to be a full-time author.  Life of Cyn is the story of a woman who must choose between revenge and forgivenesslearns after she learns her husband’s new boss is the guy who assaulted her in high school.  Why did you decide to self-publish? Did you have any doubts? In January of last year, I did NOT want to self-publish. I’d done it with my first book and used a hybrid publisher for my second book. That hybrid experience was a financial nightmare; I spent way too much money upfront and had to share royalties with them, where I made between .10-.90 cents with them for each copy sold. I haven’t made a profit on that book yet, but part of my self-pub journey last year was to get the rights back on it and re-release it. So last January, I was very jaded. I’d submitted my 3rd book to agents to try to go the traditional route, but after 18 months and 250 rejections, I had no path to publication for LIFE OF CYN. Agents had essentially said that #MeToo was dead in publishing, but I was sure I had a good story and knew my readers were out there—I just had to find them. My biggest fear was that I’d spend a ton of money and not earn it back, but I wasn’t willing to shelve the book, so I had to face my fear. The first step I took was to read two books that changed my perspective: Elizabeth Gilbert’s BIG MAGIC, and THE WAR OF ART, by Steven Pressfield. They taught me that I could be afraid and do it anyway. I started the publishing prep work last spring. I hired an editor and researched cover artists. Then I purchased Vellum so I could format the interior myself and investigated options to improve my website and start a newsletter. I was nervous about the technical stuff, so I used YouTube to answer my questions, and when I got stuck, asked for advice in the WFWA indie author group. I love the writing community so much—the support has been invaluable. Having a connection to other writers is what was missing when I launched my first two books. Throughout the summer, I formatted my book, co-created my cover with a designer (my concept, her artistry), built a new website on Wix (easy and intuitive), and started a newsletter on Mailerlite. The most impactful step I took was to learn about TikTok and Instagram reels. I joined both apps last April and followed the advice I got to post one video per day. I’m glad I did such a big experiment to see what worked and what didn’t because that knowledge came in handy when it was time to launch my book. 2 weeks before LIFE OF CYN was released at the end of December, I wound up with a bunch of viral promo videos on TT and IG. Several of them got 4,000-6,000 views (with 20% engagement in the form of likes or comments), and one promo on Instagram got 52,000 views. On December 27th, I released my 3rd book to rave reviews (from ARC readers I acquired by posting promos on TikTok) and the biggest sales I’ve ever seen. On day 3, LIFE OF CYN hit #1 Drama in new releases on Amazon. In the first month, I sold more than double the number of books that I did for each of my other books in their first year. I have 33 reviews so far, and 75% are 5 stars. I had my release party at the same local bookstore that held my last one, and they sold out of their copies and had to dip into mine. Best of all, I get $5 in royalties for every paperback and hardcover sold on Amazon and $3 for each eBook. I’ve also had 4,000 page reads on Kindle Unlimited in the first month. That’s equivalent to 10 full books. In total, I’ve sold 212 copies the first month, mostly paperbacks and hardcovers, and have earned back half of what I spent to produce the book (@ $1900). It has also led to sales on my last book that I took back from the hybrid publisher, and now I get all the royalties on it. What did you like best? I love the interactions I’ve had with readers due to the rabble-rousing nature of my topic. Many people, including several total strangers, have reached out to tell me how much my book has influenced what they plan to do differently in their lives moving forward. That is enormous, and I always give those people my full attention. It happened this morning; a total stranger reached out to talk, and we chatted via messenger all morning. The topic of sex assault is universal, it affects men and women in every country around the world, but my marketing approach to the topic has been unique. I out my rapist and talk openly about what he did when I promote my book. Here’s the backstory: I outed my assailant in 2015 on Facebook and learned of 9 other victims from my high school in 24 hours. (All the assaults happened in the early ’90s.) The only bad thing that happened to him in 2015 was that his fiancée broke off their engagement when she heard the news. So, I set out to write a fictional story about a woman who goes after her rapist 20 years after the fact and manages to do everything I wish ‘we’ could’ve done to ‘ours.’ That’s the hook. And the way I’ve badgered my assailant online appeals to male and female readers alike, who are gobbling it up in 1-2 days. That’s my second favorite thing about this experience. What was the hardest part? Starting the process of building my website (to cut down on cost) and my newsletter. I was intimidated and thought I couldn’t do it, which gave me anxiety. But it was relatively easy, and I finished the website over one weekend. I also didn’t enjoy the process of dealing with Ingram for the first time. It was less intuitive than Amazon, with worse customer service. But I’ve sold 57 books thru Ingram in the first month and made it to their top 10 in dramas in December and January, so it was worth the minor frustration. Would you do it again? Absolutely! This experience has been so rewarding because it was challenging and scary, but I did it anyway. The amount of royalty I get for each book is a huge enticement to keep self-publishing. And the fact that the industry professionals thought my book wouldn’t work due to its genre but were wrong, makes me second-guess their value. What advice do you have for authors just starting? I recommend getting involved with the Twitter writing community, which has been great for gathering information. You don’t need TikTok and IG until you’re closer to the time when you’ll be promoting your book. It’s better to wait until you are ready to only post about author-related stuff so you don’t confuse the algorithm. There are tricks to learn about the algorithm, but plenty of people on TikTok share those pointers. Caitlin Avery writes about women whose lives are amiss and can’t resist dangerous impulses. She's the author of the award-winning adventure/thriller, The Last Cruz, its up-and-coming sequel, Grief and Grace, and soon-to-be released women’s fiction, Life of Cyn. Her first book, a coming-of-age memoir, is called Lightning in my Wires. When she's not inventing transformative adventures for her readers, she loves to indulge in them. A triathlete, mountain biker, backpacker, black-diamond skier, and yoga enthusiast, she lives outside of Boston with her husband and son, and the cat and dog who rescued her.
Follow her on Instagram, TikTok, Facebook, or Twitter as Caitlin Avery Author. The best thing is you can fix your mistakes - meet Actress and Author, Monette Bebow-Reinhard2/25/2023  This is the first in a planned series of three novels, each a standalone but interweaving throughout each other as Arabus the Undead spends endless time learning control and seeking acceptance. His adventures here are tied together by a narrator in present time who at first wonders why she was the one to find and translate his tales.Come for the horror, stay for the love. Like a little romance and horror with your history?  Why did you decide to self-publish? Did you have any doubts? I used to run a writers group in Green Bay, back between 2011 and 2013, while I was going through a bit of a slump thanks to a job working at a museum taking so much of my time. After I left the museum I picked up one of my life goals of compiling a master database of pre-contact copper artifacts, something no one else has even attempted. So I blame that for my slump. My two authorized Bonanza novels had been published in 2005 and 2009 by Write Words, Inc., who called herself a traditional publisher because she paid an advance of the price of a single print copy. (When she retired, I put up new editions at Amazon.) Anyway, the focus of my group was that we needed to help each other hone our work and get it submitted to publishers. It was here that I first heard the words, “If I don’t get an agent, I’ll have to self-publish.” I was horrified. And I’ve been reacting that way to those words ever since. There are plenty of publishers who don’t require agents. The group gradually devolved, against all my suggestions, to turn to self-publishing, in part made easier by Amazon. At this time, too, I was working with an author in Africa who wanted his books edited by someone into good English for the American market. That was a horror story I will never repeat. I was not surprised to find that one day he took the book, put someone else’s name on it as editor, and had it published at Amazon. I found it because I was still submitting the book, and curious over his silence. He hadn’t even bothered to change the title. Of course I went to Amazon because I kept all the proof that I was the one that worked with him. After harsh words with him and his fake editor, the book was self-published there appropriately. That was my first self-published novel and I told him, this isn’t the way to go. But he was too impatient. The book, Dancing with Cannibals, does not sell well, but at least it looks more professional, and reflects the seven years I spent with him. When I left my writers group in 2013 I was still determined never to self-publish, so you can see how I had that first experience forced on me. And I still believe that every author needs to go through the submission process before deciding to self-publish. I know there are other self-publishing routes than Amazon. But that’s the one that works for me. I have quite a long history with Amazon, having been a Vine reviewer then, and they’ve always treated me well. What did you like best? The best thing about self-publishing is, when you catch an error, it doesn’t take so long to fix it! You can also change the price at any time. I had Grimm American Macabre published by All Things That Matter Press (awful publisher) and the cover of the anthology turned out too dark. I asked them, can’t you fix that? And they said no. And then before I knew it, it was better. That kind of ugly control that publishers hold is not healthy for your work. Another publisher, Solstice, gave me NO control over the cover of Adventures in Death & Romance: Vrykolakas Tales. I didn’t get to approve it. They just said, “here it is.” And I felt obligated, since this was in 2016 and my first contracted novel since 2009, to say “oh cool.” Until the day I saw the exact same cover on another book! That’s when I realized it wasn’t created for mine. So I had my son Adam (who does most of my covers now, not the copper ones, though) add a rose in the hand that is jutting out of the grave toward the sun. At least it would set the covers apart. And to their credit, they agreed to use it. After three years I let that contract lapse, decided to go back to the title, Journal of an Undead: Love Stories to further develop the trilogy. I felt it had been woefully misplaced as a paranormal romance, when it’s so much more. So being in charge of all elements when you self-publish is great. All Things That Matter Press took a second book, Saving Boone, without even reading it all, saying they could tell it was properly formatted and spell-checked and all. Then they proceeded to tear the book apart, and put the worst cover on it that I ever seen. (I suppose it’s because I gave one of the publisher’s books three stars.) I was going to use the novel to join Western Writers of America, but I couldn’t, not with it looking like that. Eventually I forced them to cancel the contract because they also messed up the title of the novel per contract. When they canceled that one, they canceled Grimm, and good riddance. But there I was, stuck with three formerly published novels that would have a hard time finding a publisher. What to do? Self-publish, of course. And the covers Adam created look great. Another good thing is immediacy. After the pandemic hit, I found myself home with lots of time, as my tax office closed. I (like many) was abhorrent by the politics of the pandemic during an election year, so I created a book (actually started it in 2019) and got From Lincoln to Trump published by July 2020 on Amazon because I wanted it out before the elections. It would not have found a publisher to get it out in time, as it generally takes them up to 18 months to publish a book. I’m now prepping it for third and last edition. I queried out as many as 200 times to find a publisher for Civil War & Bloody Peace, but the traditional presses told me to check with the university presses, and the universities told me to check with the trads. This was a 20-year project that took me through both my BA and MA in history and all around the country doing primary research. I wasn’t about to just discard all of that. So I self-published it. I had to do a lot of work getting photo permissions but then, I’d done a lot of that for a publisher who agreed to take it on back in 2014; they then saw it as too much work and threw it back. For my first copper resource manual, I found several publishers who would take it. But I wouldn’t see any royalties from them, because these were academic publishers. And I’m not academic. My daughter is a professor and has to publish for her credentials. I’m not; I publish to get good, solid work out there, and I have a lot of expenses in doing so, so I better try to make some money at it. The best thing about Amazon is that they pay royalties every month, like clockwork, and sometimes more than I expected. Never less. It’s easy to keep track of what sells and when, so you can see when a marketing approach works, and when you’re wasting your time. What was the hardest part? Formatting is not a lot of fun, but once I learned how to use the templates, I never went back to trying it on my own. It’s also difficult knowing what size book to use, what kind of paper, to bleed or not to bleed on the page (I never bleed). For a while I went to 7x10 for the novels because people complained about the size of the print but I’m back to 6x9 again. I use 1.5 line spacing because that makes it easier to read, though some pros would say that looks amateur. To them, maybe. But yeah, being in charge IS hard, too. If you don’t have access to a graphics artist, like I do, it can be pricey. If you don’t feel comfortable with your editing skills, your product is going to get that stigma we all hear about with being “self-published.” For example, I had been asked a number of times, especially back when I was a Vine reviewer, to review someone’s self-published book. And I tried, honestly, but I couldn’t get past the first page in most cases of any self-published book I sampled or agreed to take on. Again, I implore writers to go through the submissions process, to not be in a hurry to publish. To get feedback to determine how ready their books are to be published. I edited novels for several writers and in all these instances I told them this draft wasn’t ready for a professional edit. If you’re so sick of your book that you’re handing it off to an editor you then pay to fix it, are you sure you want to be a writer? With my first novel, “Felling of the Sons,” I was happily editing it for the 40th time and still loving it. That’s the relationship you need with your book. Without that, don’t bother readers with it. The worst thing about self-publishing is the stigma attached to it. “Oh, so no publisher liked your book enough so you had to self-publish. Well, why should I read it?” That might be more in my head than anything. But it’s there, anyway. Would you do it again? I honestly have no choice anymore. With 11 self-published books, it feels like there’s not a publisher in the world anymore who’ll take me on. Journal of an Undead has two more in the series that have not been published. One of them I will put up the end of the year myself if I don’t find someone. It doesn’t help that Journal of an Undead: Love Stories isn’t selling. Good cover or no, or all the times I’ve put it out there on social media. Some have read its first incarnation and aren’t willing to give it another go, though it is a better edit than the previous one was. Would you believe Solstice gave it an editor who told me he doesn’t like to read this kind of material? Aghast! But all my copper books will be published by me, at Amazon, so I can keep the style the same for each. Third edition From Lincoln to Trump is the easy just to put it up there. I’m working currently on Grimms American Fairy Tales, which will have some new material, some old removed, and all contributors will have their stories bought outright, with the stipulation of more money should sales take off. My son did a fantastic take on a new, more whimsical, cover, too. But that doesn’t mean I’ll stop submitting to publishers. I just put out two queries on Grimm this week to publishers who might take on a project like this. And if they ask, why are you writing this? I’ll say it’s because I’m a Grimm. It was my grandmother’s maiden name. I even put some of the history of Grimms, Wisconsin, where my dad was raised, in the preface, making connections to Germany and the original Grimms Brothers. But I won’t stop submitting to publishers in favor of self-publishing. It’s that stigma thing. I want to think I’m creating something someone else will want to help me with. I know publishers take the cream share of the royalties. I know that. Solstice paid me 71 cents per book, while I can make up to $2 at Amazon per sale (Amazon does keep a portion, but you publish there for free). And I know that most of these small presses don’t do much for you. But as a Bonanza novelist, I know how important that support system is, rather than going it alone. Along with the two Journal novels, I have a historical thriller set in 1968, a modern day murder mystery set in the world of archaeology, an erotic fantasy, and all going through submissions. I have a new nonfiction that I hope will find a publisher, but it’s a pop culture historical that has probably limited potential in that respect. So yeah, I am doing it again, and it does get easier. If my writing group could see me now, with only self-published books, they’d laugh their heads off, without realizing I am doing exactly what I told them to do. What advice do you have for authors just starting? As I mentioned, take your time! Be patient with the process. Very very few writers can come up with a great book in one or two drafts. Very few writers can write a great book without some kind of planning behind it. One gal in our group finally gave up on her book, written without a plan, because it “bored her.” Your idea needs a reason for its life, a reason for you, and readers, to spend time with it. It’s up to you to find it. You should find it before you start writing it. Don’t waste your time trying to find an agent right off the top. Get one novel published, preferably by a small press, and help it to sell well. Then try to find an agent for your second. That’s really the best plan. I got my agent for my Bonanza novels without even trying. And she was unable to do anything for it. Getting an agent is never a guarantee. And never ever go into this thinking you’re going to make a million. Fifty Shades of Gray was a fluke. Don’t we all wish we could write a fluke? Longevity means you write well consistently. I keep writing because I think my next one is going to be so good that readers will then buy up all my previously published. There’s always that hope. Put a lot of short writing out there. Find a place to blog. Find a place to share snatches. Find a place to get feedback. People have found agents that way, too. I have an active writing group on Twitter. They’re fun to hang with. Monette Bebow-Reinhard is a lifelong actress; writer/author since 1983. She earend a master's in history in 2006. And she became authorized Bonanza novelist in 1996. She has been traditionally published but currently is only self-published, with 11 books at Amazon. She's also have written stage plays and movie scripts. Lots of on-the-road primary research, traveling solo, have given presentations around the country. She's fond of cats, biking, staying in shape. She's in love with her children and their families.
Purchase Link: https://tinyurl.com/22h969hs  .Welcome to Tranquil Springs is the story of one woman's struggles through loss, betrayal, crushed hopes and remarakalble second chances.  Why did you decide to self-publish? Did you have any doubts? I chose to self-publish because I had submitted a handful of times to the sound of crickets. I knew that my work was decent. I knew I could do something with it. I have been selling books at my local farmer’s market and doing really well. I figured if I added some women’s fiction to my market, sales could only increase. after self-publishing the first novel, and having success, I figured I would continue with the next. I always have doubts. Is it good enough? Is it edited well? Did we miss something? (Of course, we did.) Will anyone buy it? But really it takes just one person to tell me they loved it for me to know my doubts are unnecessary. What did you like best? I enjoy having the control of things. I don’t lose my characters to an editor’s thoughts. If I want merchandise to go with it, I can do that. I can do whatever I want. What was the hardest part? That’s a tough question. there is no singular part that is the hardest. It’s all tough. you have to make the right decision on every little detail. For me, I loathe editing, but my husband is an editor. so I try to get to it first, rip it apart and fix it up. Then I let him destroy it. Putting it back together again can be tedious. that’s probably my least favorite thing to do. But I also struggle with getting out to bookstores and signings. I have two beautiful children. We homeschool. I’m the main driver, chef, you name it! So making time to make my books a priority and getting them out to people can be a challenge as well. Would you do it again? Yes, I would, and I have. I self-published three Christian works and two fitness books. After that I moved on to two teen fiction novels. Then I self-published a women’s fiction title, and less than a year later a second women’s fiction. I’m now working on the sequel to my second women’s fiction. Do I wish someone would pick one up and write me a check? Sure! But for me, for right now. this works. I enjoy seeing my work come to life, rather than holding off. What advice do you have for authors just starting? Get over yourself. I know that sounds harsh, but it has to be said. You are proud of yourself. that is great! You should be! You accomplished something wonderful! But it probably isn’t perfect. Let outside eyes read and give meaningful feedback. Let someone else edit. And listen to them. My first self-published book was really just a battle cry to say, “I did it!” I was so excited. but I would not let anyone touch it. It was my baby!!! Ten years later, I don’t sell the book. I’m working on a complete rewrite of the book. Why? The writing was terrible! If I had taken advice of people who read it before hitting “publish,” I’m sure it would be so much more than what it is. Now, it's a joke on the shelf. It’s a humble reminder that I can be proud of my accomplishments, while still needing others to help me out. Once you’ve let others in - the story is clearer, typos are found and fixed, and all of that good jazz - promote the heck out of that thing! Work markets. Meet people. Don’t be pushy. Find opportunities that are right. Build bridges and make connections. I have found that authors live in one of two camps – either community and support or snobbery and isolation. Join the community. Jewel Sweeney is a wife, mother of two, writer, and educator. She lives in the beautiful South Carolina Lowcountry where she enjoys the sun. Her writings include The Adventures of Bugaboo & Ladybug series, Azalea Cafe, Welcome to Tranquil Springs, More Than a Jock, Blueberry Ballerina, and non-fiction works.
 The Cumberland Tales is a work of historical fiction. The tales, germinated from a few scattered images grew to include aspects of magic realism and reality. Mother's Keep is a winding tale of family, friendship, loss, and spirituality. Cumberland Gold - a murderous, multi-generation tale of old wounds and revenge will be released soon.  Why did you decide to self-publish? Did you have any doubts? I knew I would write about my hometown, Cumberland, after completing my degree in English. As part of my degree, I studied poetry with the Canadian poet, Marlyin Dumont. In my final year, I took an advanced course in creative writing , but poetry came first, prose later. I had no doubts because the stories I wanted to write were close to my heart. I initially tried the traditional route, sending off manuscripts directly to press houses, but was informed that I needed to get an agent. So, to publish traditionally, you need to go through two gatekeepers, getting an agent (submitting letter and searching for acceptance), then the agent must search for a publisher. In addition, when published the agent and press room both get a cut of the profits. For me, it was a no-brainer to form my own publishing company, and self-publish: no gatekeepers and I keep greater portion of royalties. How long did it take? My first book, The Cumberland Tales, from start to published book took about 5 years. It is a work of poetry and prose with a poem preceding each chapter. That year, I was given an Award of Excellence for my poetry by the Poetry Institute of Canada. The second book, Mother’s Keep, was inspired by my granny who was a war bride and lived during the depression years on acreage in Gibsons, Canada. My third book, Cumberland Gold, took about 2 years and is another visit to my hometown of Cumberland. What did you like best? I’m probably happiest with Mother’s Keep or Cumberland Gold. But The Cumberland Tales also sells reasonably well. In terms of quality of work, The Cumberland Tales is fragmented, yet many people like it. Mother’s Keep is a linear plot and the narrator is a ghost. And Cumberland Gold is more of a thriller murder mystery and does not have much poetry in it, but two of the characters are poets who critique each other’s work. What was the hardest part? The start is always the hardest part for me, how to outline, how to make it all work together. Once I start, I know I will at some point finish it, but never know when. I usually have a few prose pieces on the go at the same time, this is interspersed with poetry that I submit and discuss with writer friends. If I get tired of writing prose, I will switch to poetry. Indeed, one day, I’d like to try to write drama. Would you do it again? Definitely, I’ve got two more books in mind, the first is a sequel to Cumberland Gold and the second, The Mysterious Transformation of Margery Kempe, Beatrice Bonner, and Celestria Baxter, (which I’m presently working on), is based on Margery Kempe, the female mystic of medieval England. I’m interested in Margery’s personal relationships with her husband, God, and the patriarchal society which all women inhabited back then. What advice do you have for authors just starting? If you’re young, get a degree in English, round it out with writing poetry with a good instructor, and round that out with advanced fiction writing. However, if you don’t have the time or money, read all the good authors: Joyce, Faulkner, Lessing, Hemingway, et.al., read lots of them, and read good poetry too. Then sit your butt down and start writing. Also, listen to the way people talk, takes note of phrasing, what people say, how they say it. It’s all good fodder for writing. The most important thing is to write about something that is important to you, probably family or experiences. Someone you loved, or write about conflicts of the heart. Frank Wayne Mottl's debut novel, The Cumberland Tales is a collection of connected stories. He's recently published his second, Mother’s Keep, and has sent off his third, Cumberland Gold. You can find out more at www.frankwayne.net
https://www.facebook.com/people/Frank-Mottl/100083278029675/  Once More With You is first book in the Fable Notch series where (retold) fairy tales come true in the mountains of New Hampshire. Featuring a steamy second chance and tons of small-town charm.  Why did you decide to self-publish? Did you have any doubts? After being published by several small presses since 2007, I made the switch to self-publishing in August of 2022 to have more control over all the parts of the publishing process – pricing, distribution, release dates cover, etc. I was already responsible for my marketing with those houses, so that’s not new, but having access to my books as the publisher means I can determine when and where I’m putting my marketing efforts. Doubts? Sure – all the time, but I had those without self-publishing. You can never know what the market will want and it’s a long process with no guarantees. What did you like best? I like that I get to make the decisions – when to release, wide or KU (I’m wide), the look of the series, how to build my newsletter. Sure, there are days when I wish someone else was handling it all, but like many self-published authors, I like that I can make decisions that work for me and how I write. Recently, I had a book take longer than I thought it would and it was easy to look at my schedule and change things around. What was the hardest part? Finding an editor in my price range who I felt could do a great job with my book, helping me to make it the best it could be. It’s also challenging managing all the moving pieces – there’s a lot involved in getting a book ready and uploaded for sale – and doing that while also writing the next book… it’s a lot to balance at times. Would you do it again? Would I? I am! After releasing 3 books in 5 months, I have another book scheduled for May and more releases every three months after that (hopefully). What advice do you have for authors just starting? Take your time. Learn everything you can. Join groups like 20Booksto50K on Facebook, listen, ask questions. And discover what is right for YOU. It’s not the same for every writer – there is no magic formula, no one way. I know writers who make six figures a year releasing six books a year and writers who make the same releasing two a year. You have to find what works for the way you work or it won’t be sustainable Elena Markem writes emotionally rich contemporary romances about dreams, love, and taking a chance on both. Her stories reflect her belief that life is about the passions we pursue, the people who support us along the way, and never giving up on what we want.
You can find her and her newsletter at www.elenamarkem.com |